Philippe hersant biography of alberta williams

A biopic has also been recently produced, but I haven't seen it. Based on your experience, what "pitfalls" did you manage to avoid? In the late 90s, he devoted himself to orchestra and is invited as residing composer with the Orchestre National de Lyon, as from September Wise Orion, the third of seven poems, is the one that best succeeds in this "rarefied consistency" mentioned by Calvino.

It has been several years since your last opera, a genre that you have enriched with rare but essential works in the past. Source: CD-booklet.

Philippe Hersant - Wise Music Classical

His catalog includes some thirty pieces for orchestra, vocal music, instrumental and chamber music, most of which were commissions. Menu Skip to main content Skip to primary sidebar Skip to footer Hersant. Hersant has an excellent aural memory, and he thinks of composition as coming from melodies that arise from memory and naturally lead to quotation.

First of all because of the admiration I have for this writer.

Philippe hersant biography of alberta williams: It contains articles by representatives

And the orchestral part was often predominant and perhaps, at times, a little overwhelming. The scenes are brief, follow one another at high speed and are extremely varied: comical, sentimental, ironic or horrific. The "Analecta"-version of the text is used, except for stanza With a varied catalogue of around ninety pieces not counting his scores for the cinema and the theatre , Philippe Hersant has achieved broad recognition on the temporary music scene.

Choir : Ensemble Sequenza 9. Everything goes fast here, everything is linked together and sometimes even telescopes. Subscribe to the newsletter Email address:. Since The Carpathian Castle , Hersant expressed a strong interest in voice, which is visible in his large output of pieces for voice and instruments, as well as in pieces such as Niggun , which is historically a genre of Jewish religious music, a hymn of praise without lyrics.

Watch Stabat Mater performances. Those are the commonalities. But the rhythm imposed by this libretto is totally different from that of my two previous operas, which is rather slow. Between and , he served three terms as a director of the SACD, where he chaired the Music Commission on three occasions. Philippe Hersant's music is a synthesis between tradition and modernity, drawing from the rich reservoir of the past, he reformulates it with the expression of today's language.

Mary at the foot of the cross. Could certain musical your last recordings , literary Echenoz's novels , cinematic Le Prestige or documentary history of science works help make sense? The random nature of commissions made me turn to other horizons: a large number of sacred works and choral works, in particular, have punctuated this entire period.

He tells us a little more below : It has been several years since your last opera, a genre that you have enriched with rare but essential works in the past. But as I said, certain projects did not come to fruition. He finds this to be particularly the case with religious music. But, whether they evoke a chime the first , a nursery rhyme the second and the fifth , or a hymn the last all are short, simple and fragile, they are intended, in my mind, to be sung by very young children.

There was a certain static nature in my previous operas.